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Titlebook: Dickens and Other Victorians; Joanne Shattock (Lecturer in English) Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limit

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樓主: 拖累
31#
發(fā)表于 2025-3-26 22:44:56 | 只看該作者
Book 1988An attempt to collate a variety of approaches to the work of Dickens and his major contemporaries, from traditional scholarship to recent literary theory. The work emphasizes the connections between Victorian literature and society and highlighting the longevity of the Victorian literary period.
32#
發(fā)表于 2025-3-27 01:40:34 | 只看該作者
33#
發(fā)表于 2025-3-27 07:13:12 | 只看該作者
Palgrave Macmillan, a division of Macmillan Publishers Limited 1988
34#
發(fā)表于 2025-3-27 10:34:16 | 只看該作者
35#
發(fā)表于 2025-3-27 13:50:20 | 只看該作者
Matteo Bianchi,Alessandro Moscatellitific theories: natural theology, thermodynamics and evolution. The strangeness of . can be registered in its self-contradictions: the most religious of Dickens’s novels, it most relentlessly explores the unredeemed secularity of human society. With much of the abundance and extravagance characteris
36#
發(fā)表于 2025-3-27 18:48:06 | 只看該作者
iPSCs-Based Therapy for Trabecular Meshworkmind. One was to present and re-examine some lost articles which Dickens wrote for the . which Alec W. C. Brice and I discovered some time ago. John Forster, in his . of Dickens, had obliquely referred to them; his editor J. W. T. Ley had pronounced that they were entirely irrecoverable; and then we
37#
發(fā)表于 2025-3-28 00:28:59 | 只看該作者
Lin Cai,Ruxiang Wang,Donghui Zhang — an over-simplified view of Dickens: . and . and I am delighted to acknowledge that debt here. The approach he countered was at its most dangerously simple in T. A. Jackson’s . (1937), an account which saw Dickens advancing to socialism, on all fronts, in virtually a straight line; it was modified
38#
發(fā)表于 2025-3-28 02:12:58 | 只看該作者
39#
發(fā)表于 2025-3-28 07:56:37 | 只看該作者
40#
發(fā)表于 2025-3-28 10:40:43 | 只看該作者
E. Nawarecki,S. Kluska-Nawarecka,K. Regulski as isolated between two periods, Romanticism and modernism. Thus Victorian poetry is seen in terms of transition. It is on the way somewhere. It is either on the way from Romantic poetry, or on the way to modernism. It is situated between two kinds of excitement, in which it appears not to particip
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