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Titlebook: Devotional Hindu Dance; A Return to the Sacr Sabrina D. MisirHiralall Book 2021 The Author(s), under exclusive license to Springer Nature S

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樓主: foresight
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發(fā)表于 2025-3-23 13:29:32 | 只看該作者
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發(fā)表于 2025-3-23 14:16:08 | 只看該作者
The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
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發(fā)表于 2025-3-23 19:22:10 | 只看該作者
Sabrina D. MisirHiralallOffers a clear history of Hindu dance.Explores postcolonialism, Hindu philosophy, religion, and pedagogy.Serves as a case study in dance education
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發(fā)表于 2025-3-23 22:16:08 | 只看該作者
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發(fā)表于 2025-3-24 06:49:26 | 只看該作者
Book 2021as religion and culture do not remain static. MisirHiralall points to a postcolonial return to Hindu dance as a religious and sacred dance form while positioning Hindu dance in the Western culture in which she lives..
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發(fā)表于 2025-3-24 13:46:55 | 只看該作者
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發(fā)表于 2025-3-24 16:21:40 | 只看該作者
https://doi.org/10.1007/978-3-031-25110-8hapter. It is imperative for devotional Hindu dancers to pay attention to their way of being and interactions before, during, and after the dance. Contemplative dressing is vital as one prepares to dance. Abhinaya develops naturally through bhakti during the dance. Ethical responsibility plays a key role in the life of the dancer after the dance.
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發(fā)表于 2025-3-24 21:58:29 | 只看該作者
Kevin Dew,Supuni Liyanagunawardena to view Hindu dances. Following this, I relate an introduction to the ethics of Hindu dance based on the . (BharataMuni, 2000) and introduce the language of Hindu dance as conveyed in the Abhinaya Darpanam (Nandikesvar and Apparao, 1997).?Dancers may ponder upon developing dance choreography with this basic knowledge of Hindu dance in mind.
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發(fā)表于 2025-3-24 23:22:22 | 只看該作者
https://doi.org/10.1007/978-3-031-25110-8 is repeatedly reduced to a phenomenon of cultural entertainment that denies the dancer and the viewers a devotional experience. In this chapter, I return to my original research questions as I stress the need to consider devotion as a part of Hindu dance.
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