Titlebook: Deviance in Neo-Victorian Culture; Canon, Transgression Saverio Tomaiuolo Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 No

Mendacious

,Julia Pastrana’s Traces, or the Afterlives of the Victorian Ape Woman,ody and her face were covered with black hair), Pastrana performed in tours in Europe and North America. She was reputed as a ‘bodily deviant’ creature in a society that structured its social, political and cultural discourses upon the notion of a ‘stable’ (female) body and identity. By reflecting o

脫離

Reanimating the Zombies of (Nineteenth-Century) London in ,al rewriting of the past: in an alternative late nineteenth-century (the story is set in 1898) London is invaded by a horde of ravenous zombies, against which Sherlock Holmes and Watson fight in order to save the British Empire. Whereas the depiction of zombies as social outcasts and racial aliens i

砍伐

和藹

Picturing Deviance in Neo-Victorian Visual Art,s to show that the notion of ‘Making It New (by Making It Old’)—a misquotation from Ezra Pound’s famous phrase—is also one of the standpoints of neo-Victorian culture. After an extensive treatment of the subject of ‘visual art’ in the Victorian age (with a reference to the famous case of the Benson’

生氣的邊緣

SHOCK

Exposure

978-3-030-07278-0The Editor(s) (if applicable) and The Author(s) 2018

癡呆

Saverio TomaiuoloAnalyses the often overlooked theme of deviance in neo-Victorian culture.Examines a range of texts, including graphic novels and television series.Encourages readers to approach neo-Victorianism not j

糾纏,纏繞

去世

Handbook of Peripheral Nerve Entrapmentsl. In order to introduce the main theme of this study, iconic Victorian writer Charles Dickens is imagined travelling in the twenty-first century, first visiting . and then ., a theme park created by graffiti artist Bansky that is a deliberately ‘deviant’ version of .. The chapter assumes that Dicke