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Titlebook: Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945; Petra Josting,Marlene Antonia Illies,Annemarie Web Book 2020 Spri

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41#
發(fā)表于 2025-3-28 18:20:46 | 只看該作者
?Das war ein herrliches M?rchen!“ems to be popular today as new media adaptations (like audiobooks etc.) are constantly being published. Among these media publications there is a large variance in terms of motive, topography, characters, target groups or even meanings of the fairy tale. The catchy image of the flying trunk seems to
42#
發(fā)表于 2025-3-28 18:45:05 | 只看該作者
43#
發(fā)表于 2025-3-29 01:38:47 | 只看該作者
quer durch die Medien, with marketing and planned economic control, as they distinguish modern media networks, rather than it was the change from one print medium to another which was ultimately responsible for further developement. With the reception of Busch’s paradigmatic stories about boy’s pranks in the popular wee
44#
發(fā)表于 2025-3-29 06:38:18 | 只看該作者
45#
發(fā)表于 2025-3-29 10:06:09 | 只看該作者
Petra Josting,Marlene Antonia Illies,Annemarie WebKinder- und Jugendliteratur von 1900 bis 1945 in Radio, Film und Theater.Das Buch zum Online-Portal.Mit Beitr?gen zu Mecki, Max und Moritz, Peter Pan, Funkheinzelmann, Feuerzangenbowle u.v.a.
46#
發(fā)表于 2025-3-29 13:58:04 | 只看該作者
Studien zu Kinder- und Jugendliteratur und -medienhttp://image.papertrans.cn/d/image/269643.jpg
47#
發(fā)表于 2025-3-29 18:07:53 | 只看該作者
48#
發(fā)表于 2025-3-29 22:07:22 | 只看該作者
Globalization of Services: Friend or Foe?levant studies on the radio of the Weimar Republic explicitly exclude broadcasts aimed at children and adolescents or they merely focus on specific broadcasting stations or authors, respectively. Therefore, the present contribution addresses a key desideratum and, with its digital database, attempts
49#
發(fā)表于 2025-3-30 01:11:42 | 只看該作者
50#
發(fā)表于 2025-3-30 04:23:43 | 只看該作者
Globalization of Services: Friend or Foe?f processing a certain subject matter. In comparison to film and radio, theater represents an old, long-established medium in the period in question. It saw itself threatened by both emerging entertainment sectors, but ultimately blended into productive coexistence with them. It remains unique in it
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