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Titlebook: Destabilizing the Hollywood Musical; Music, Masculinity a Kelly Kessler Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Li

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發(fā)表于 2025-3-21 17:58:29 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Destabilizing the Hollywood Musical
副標題Music, Masculinity a
編輯Kelly Kessler
視頻videohttp://file.papertrans.cn/270/269151/269151.mp4
圖書封面Titlebook: Destabilizing the Hollywood Musical; Music, Masculinity a Kelly Kessler Book 2010 Palgrave Macmillan, a division of Macmillan Publishers Li
描述A critical survey of Hollywood film musicals from the 1960s to the present. This book examines how, in the post-studio system era, cultural, industrial and stylistic circumstances transformed this once happy-go-lucky genre into one both fluid and cynical enough to embrace the likes of Rocky Horror and pave the way for Cannibal! and Moulin Rouge!.
出版日期Book 2010
版次1
doihttps://doi.org/10.1057/9780230290556
isbn_softcover978-1-349-31149-1
isbn_ebook978-0-230-29055-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2010
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:05:09 | 只看該作者
板凳
發(fā)表于 2025-3-22 01:15:01 | 只看該作者
Wanna Sing and Dance? These New Guys Are Ambivalent About It, genre, and an embracing of the social struggles circulating in American society during the films’ releases. They ideologically assault early norms and compound diegetic shifts by moving away from the projection of spontaneous performance as indicative of an inner truth, joy, and communal harmony. A
地板
發(fā)表于 2025-3-22 06:36:58 | 只看該作者
,The New Guard’s Musical Masculinity,egesis and constructs the meaning of bodies circulating within it. Narratives repeat stories that establish a “natural” resolution of conflict. Stars bring with them—diegetic and non-diegetic—repeated performances of self. These clustered repetitions help to assemble a cohesive meaning of the musica
5#
發(fā)表于 2025-3-22 09:19:03 | 只看該作者
Epilogue: I Could Go On Singing,ance—ideological and cultural messages beyond those commonly associated with its foundational years. During this fertile period of American film, this seemingly stagnant genre possessed malleability in form and content to blend into the changing cinematic and cultural landscapes. I hope this book br
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發(fā)表于 2025-3-22 16:48:21 | 只看該作者
https://doi.org/10.1007/978-3-319-20134-4 hearts of America as they saved their towns and clanged their trolleys. All was well in St Louis, Paris, and O-K-L-A-H-O-M-A as guys found their gals and warring groups of singing farmers and cowmen, Americans and Russians, and soldiers and civilians found a cause around which to gather. As social
7#
發(fā)表于 2025-3-22 19:56:25 | 只看該作者
Science and Opinion as Understood in MS 27 destroyed the hazy idealism once so indicative of the musical, technical stylization closely reflects the innovations of the French New Wave and New American Cinema, as well as American and European avant-garde movements and these movements’ seeming opposite, Italian neo-realism. Techniques such as
8#
發(fā)表于 2025-3-22 21:24:48 | 只看該作者
Galileo’s Logic of Discovery and Proof genre, and an embracing of the social struggles circulating in American society during the films’ releases. They ideologically assault early norms and compound diegetic shifts by moving away from the projection of spontaneous performance as indicative of an inner truth, joy, and communal harmony. A
9#
發(fā)表于 2025-3-23 05:15:36 | 只看該作者
The Understanding of Logic Implicit in MS 27egesis and constructs the meaning of bodies circulating within it. Narratives repeat stories that establish a “natural” resolution of conflict. Stars bring with them—diegetic and non-diegetic—repeated performances of self. These clustered repetitions help to assemble a cohesive meaning of the musica
10#
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