Titlebook: Designing Interfaces in Public Settings; Understanding the Ro Stuart Reeves Book 2011 Springer-Verlag London Limited 2011 Design.Human-comp

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Crepitus

Introduction,rface interactions in general. It details the nature of the performative perspective employed within the book, and presents four key aims that the studies and framework of later chapters will seek to engage with. Finally, this chapter provides a summary of framework concepts, and outlines the ways i

徹底明白

From Individuals to Third Parties, from Private to Public,rns to the questions posed in the introduction, exploring them in light of its exploration of literature, in order to see how those questions might be answered, and in what ways those answers leave us asking further questions.

頌揚(yáng)本人

Foreknowledge

Audience and Participants: One Rock,effects of those manipulations are hidden from them. This foreshadows how manipulations and effects may be hidden or revealed in various combinations to achieve certain results. In this case, it is suggested that such a strategy employed for the Telescope creates a sense of ‘intrigue’. The chapter a

樂器演奏者

,Professionals and Non-professionals: The?Journey into Space,teractions with the technology. A?key emerging skill for the actor is the ability to guide the participants around a complex space of manipulations, effects and potential interference resulting from the space in which the torch technology is deployed.

樂器演奏者

,Orchestration and Staging: Fairground: Thrill?Laboratory,chestrators collaborate with actors to weave together a performance from distributed and disparate elements, with orchestrators managing and intervening in crisis situations, and dealing with technological breakdown. Orchestration opens out the discussion to consider some key subdivisions of the pub

septicemia

Frames and Bystanders: Uncle Roy All Around You, context of their local environment. Placing roles—that of actors, participants, orchestrators and so on—within the context of the frame leads to the addition of the role of the bystander—the role that is outside of the frame but may nevertheless be engaged unwittingly through the ambiguity of frame

Acumen

A Framework for Designing Interfaces in Public Settings,teractive installations and performances, examines how manipulations and effects are variously hidden, partially-hidden, revealed or even augmented in particular combinations in order to create different spectator experiences. Developing this, four broad design strategies are identified: ‘secretive’

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