Titlebook: Design, User Experience, and Usability: Designing Pleasurable Experiences; 6th International Co Aaron Marcus,Wentao Wang Conference proceed

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https://doi.org/10.1007/978-3-030-17989-2nceptualize eudaimonic motivation for PIT usage. Based on its conceptual definition, we develop the measures to capture the extent of a PIT user’s aesthetic experience and empirically examine the construct validity. Compared with widely examined antecedents of technology usage—perceived usefulness,

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Otto G. Bier,Wilmar Dias Da Silva,Ivan Motareated and they were tested in 269 participants. The results demonstrated that emotion is closely related to the number of sounds and chords. More specifically speaking, emotion responded differently to chord types. In future, it is necessary to conduct a study to see the connection between each emo

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https://doi.org/10.1007/978-3-642-25980-7cation would greatly impact mobile application development for such users. However none of such standards as WCAG exists for mobile applications development. It has been established that more effort is needed towards uncovering more low literate and novice user centered usability constrains with cor

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S?ren Bo Nielsen,Pascalis Raimondos-M?llerconfirmed. Participants receive more informal social support compares to formal social support. Approximately 90% of the participants were user of EMH services (Social media, Chatroom, Internet forum/Bulletin Board System). About 30% of the participant utilize smartphone APP for EMH services, 25% th

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Conference proceedings 2017lly reviewed and selected for inclusion in this three-volume set...?LNCS 10288:The 56 papers included in this volume are organized in topical sections on design thinking and design philosophy; aesthetics and perception in design; user experience evaluation methods and tools; user centered design in

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Mix and Match: Designing an Installation for Music Festivals Aiming to Increase Social Sustainabilitr to create a collaborative experience that would also present the upcoming artists in the music scene. The design aimed at increasing social sustainability in music festivals, i.e. bridging social capital, while accounting for different user identities. This resulted in an inclusion of music of dif

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