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Titlebook: Design in the Era of Industry 4.0, Volume 3; Proceedings of ICoRD Amaresh Chakrabarti,Vishal Singh Conference proceedings 2023 The Editor(s

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樓主: Curator
51#
發(fā)表于 2025-3-30 09:50:20 | 只看該作者
A Qualitative Study on Color Trend Forecasting in the Futuristic Passenger Vehicles for Point-to-Poi drew heavily on expert interviews. Six automotive CMF experts from various OEMs were interviewed online to understand the color trend forecasting strategies followed by their OEM to develop a futuristic concept vehicle. Thematic analysis revealed a gap and requirement for a framework that can be ob
52#
發(fā)表于 2025-3-30 15:53:17 | 只看該作者
Cultural Dynamics of Chinese Calligraphy from a Semiotic Gaze. A Design-Oriented Platform to Valorizs toward the valorization of cultural heritage. The method is based on qualitative semiotic analysis, which could present the inherent complexity of calligraphy in terms of meaning trajectories, connecting the visible sign (pure graphic composition), the trace as related to the body of the calligrap
53#
發(fā)表于 2025-3-30 20:06:07 | 只看該作者
Designing Blended Environments: Cultural Heritage as a Tool to Create Humane Virtual Spaces and Techybrid environments—modifying the aesthetic of tangible products and spaces to create a sense of tech-inspired seamlessness, while virtual environments can draw from the time-honored cultural heritage, to incorporate nature and humanity in the cyberspace. Cultural heritage can be used to exploit the
54#
發(fā)表于 2025-3-30 22:48:28 | 只看該作者
The TIME IS A CIRCLE/CYCLE Metaphor in Denis Villeneuve’s Film ‘,’ (2016)anguage of an alien species and is able to avert a global threat by reaching out to her future self. Through a breakdown of the film’s innovative and commercially successful narrative design (itself enabled by new industrial editing technology), coupled with an analysis of the resultant visual patte
55#
發(fā)表于 2025-3-31 03:43:38 | 只看該作者
Characteristic Development of Art Style and Identifying Proportions in Arju House of Ao Tribe in Nagare following from the generations. Artworks are documented here using photogrammetry, and then their shapes are studied by simplifying them into abstract form to understand the characteristics which were followed in creating them. Photogrammetry helped to cross-check and do the volumetric analysis.
56#
發(fā)表于 2025-3-31 08:09:49 | 只看該作者
When Designing for a Culture: Folk Literary Metaphors in Design Anthropologyonceptual basis which is reflected in metaphorical language. As the folk culture of a place is the bearer of shared cultural memory and interaction history between the corporeal and incorporeal, metaphors used in folk literature can be used as a source in design anthropology, and this review paper s
57#
發(fā)表于 2025-3-31 13:13:20 | 只看該作者
58#
發(fā)表于 2025-3-31 14:23:30 | 只看該作者
Gender-Based Study of Aesthetic Perception on 2D Symmetrical Shapes, and meaningfulness. Then the subjects were given a task on a computer screen to rate the symmetrical shapes based on their aesthetic preference. Stimuli were illustrated on a white background. Horizontal symmetrical 2D shapes were rated based on the scale of aesthetic perception and were deemed th
59#
發(fā)表于 2025-3-31 18:08:52 | 只看該作者
The Study of Aesthetic Perception of Fractalshe subjects. The presentation was done with a forced choice system between the parallel comparison of stimuli. Then the stimuli were rated by the subjects through questionnaires. The subjective reaction to the aesthetic impression of fractals was recorded during the process. In forced choice experim
60#
發(fā)表于 2025-3-31 23:37:22 | 只看該作者
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