Titlebook: Derrida | Benjamin; Two Plays for the St John Schad,Fred Dalmasso Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusiv

TRACT

書目名稱Derrida | Benjamin影響因子(影響力)




書目名稱Derrida | Benjamin影響因子(影響力)學科排名




書目名稱Derrida | Benjamin網(wǎng)絡公開度




書目名稱Derrida | Benjamin網(wǎng)絡公開度學科排名




書目名稱Derrida | Benjamin被引頻次




書目名稱Derrida | Benjamin被引頻次學科排名




書目名稱Derrida | Benjamin年度引用




書目名稱Derrida | Benjamin年度引用學科排名




書目名稱Derrida | Benjamin讀者反饋




書目名稱Derrida | Benjamin讀者反饋學科排名

滲入

https://doi.org/10.1007/978-1-4684-4016-4uite himself. This is Oxford in 1968, which soon becomes Berlin in 1930, which soon becomes Algiers in 1942, which soon becomes Nuremberg in 1946. And, all the while, a madman in England is attempting to get through on the telephone even as Derrida, in Oxford and bent over a medieval fortune-telling

companion

Alina C. Lopo,Victor D. Vacquierimself. This is somewhere, or nowhere near London in 1948. But is it Heaven or Hell? Wilderness or Promised Land? Watford or Moscow? And what storm has blown him here: the storm of progress or forgiveness? And then there are the questions that poor men ponder—questions of: revolution, boredom, impot

unstable-angina

深陷

Inkling

Inkling

John Schad,Fred DalmassoFeatures the first plays on Jacques Derrida and Walter Benjamin.Brings together both plays for the first time in one volume.Taps into the intersection between theatre and performance and philosophy

一瞥

http://image.papertrans.cn/d/image/268257.jpg

Folklore

BALE

The Strangest of All Things,eatre of the world, is glimpsed as a host of still stranger theatres: the theatre of the state, the theatre of the university, the theatre of killing, the theatre of ghosts, the theatre of pardon, the theatre of hospitality, and indeed an “as yet inexistent theatre” of the other—a theatre of faith, blind faith.