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Titlebook: Dementia, Narrative and Performance; Staging Reality, Rei Janet Gibson Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Peopl

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發(fā)表于 2025-3-21 17:11:03 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Dementia, Narrative and Performance
副標(biāo)題Staging Reality, Rei
編輯Janet Gibson
視頻videohttp://file.papertrans.cn/266/265081/265081.mp4
概述Considers dementia, narrative and performance in relation to the fields of reality theatre and applied theatre.Contributes to the burgeoning field of dementia and the arts as well as in ageing and hea
圖書(shū)封面Titlebook: Dementia, Narrative and Performance; Staging Reality, Rei Janet Gibson Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Peopl
描述.Focusing mainly on case studies from? Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, assessing the extent to which the ‘right kind’ of dementia story is being affirmed or challenged. It argues that this type of story — one of tragedy, loss of personhood, biomedical deficit, and socio-economic ‘crisis — produces dementia and the people living with it, as much as biology does. It proposes two novel ideas. One is that the ‘gaze’ of theatre and performance offers a reframing of some of the behaviours and actions of people with dementia, through which deficit views can be changed to ones of possibility. The other is that, conversely, dementia offers productive perspectives on ’theatre of the real’...Scanning contemporary critical studies about and practices of ‘theatre of the real’ performances and applied theatre interventions,the book probes what it means when certain ‘theatre of the real’ practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be ‘unreliable narrators’. It also explor
出版日期Book 2020
關(guān)鍵詞People with dementia; Applied theatre; Dementia and performance; Representing dementia; Public theatre; A
版次1
doihttps://doi.org/10.1007/978-3-030-46547-6
isbn_softcover978-3-030-46549-0
isbn_ebook978-3-030-46547-6
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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沙發(fā)
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https://doi.org/10.1007/978-3-663-13512-8heatre of the real’, as dementia draws attention to the nature of the ‘truth’ of any story, whether from someone with dementia or not. No one can tell an unchanging and true life story which can then be represented on stage in a direct and unmediated fashion.
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,My Mother’s Story, My Story,thical, political, and aesthetic issues arising from the paradox of theatres that rely on narratives from ‘real’ people being coupled with people not deemed to be ‘real’ (or ‘people’), in most Western cultures.
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