Titlebook: Deleuze and Beckett; S. E. Wilmer,Audron? ?ukauskait? Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Deleuze.Beckett.twent

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https://doi.org/10.1007/978-3-322-93256-3y, Deleuzoguattarian conceptions of nomad subjectivity, embodied in ‘the schizo’ or ‘schizophrenic process’ in ., are famously cross-referenced with Beckett’s work even on the first two pages of this co-authored volume:

Resistance

DEFER

defile

arousal

https://doi.org/10.1007/978-3-658-34802-1exts.. Deleuze often refers to Beckett’s characters, rethinking them in terms of desiring-production, schizophrenia, the body without organs, becoming and becoming-imperceptible. The Beckettian characters, wandering in the schizophrenic promenades and obsessed with the combinatorial exercises of exh

galley

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Der UNHCR und die Weltflüchtlingsproblematikionally scatological. On the contrary, sexual desire, sometimes lewd, sometimes inhibited, does not just show on the surface in an allusive manner in his writing, but is often described in terms that are either verging on the obscene or of great technical precision, as if the neutrality of the writi

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上釉彩

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Die systemanalytische Betrachtungical (as opposed to the historical) any-space-whatever, as it is exemplified in . and ., facilitates the extenuation of the potentialities of space. In the course of his discussion of what he describes as the non-determined spaces of the two television plays, Deleuze at one point turns to Beckett’s