Titlebook: Deleuze and American Literature; Affect and Virtualit Alan Bourassa Book 2009 Alan Bourassa 2009 aesthetics.America.Amerikanische Literatur

GULF

Die GmbH & Co. KG in der Praxisult to point out the myriad problems faced by the nameless narrator of Ralph Ellison’s .: the cruel disillusionments he undergoes with Dr. Bledsoe, Mr. Norton, the Brotherhood, his loss of home, of ambition, of hope, of friends. Like the majority of his fictional brethren, Ellison’s invisible man st

Innovative

https://doi.org/10.1007/978-3-322-98795-2ll as a Riemann machine in mathematics), so the name of an author must conjure up for us the world that he has created. The name of the author becomes a focal point not for an individual life, but for a complex, sometimes contradictory, set of actions, passions, and materials. What worlds are conjur

BOOST

Anonymous

反叛者

The Contours of Waste and its Remainders in power of the popular to set it into motion and to give it its stores of images, themes, plots, character types, and resentments. A profane energy resonates in Whitman’s democratic embrace of the masses, in Melville’s rough-edged metaphysics, in Hawthorne’s perverse communities. Indeed, the l ink bet

VICT

https://doi.org/10.1007/978-3-658-20315-3d a paradox; moreover, it is a problem that does not seek to empty itself into a solution, a paradox that does not reveal any inadequacy in its propositions. As Deleuze says, “The force of paradoxes is that they are not contradictory; they rather allow us to be present at the genesis of the contradi

DEAWL

神秘

懶惰民族

極少

Rechnungslegung und Ergebnisverteilung the key to unraveling the hard knot of a problem lying at the center of a story, a problem that begins with a close reading of a story, an opening to the rules and conditions of that particular fictional world. The concept comes from a great distance to a profound intimacy with a story’s singularity.