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Titlebook: Defining Pre-Raphaelite Poetics; Heather Bozant Witcher,Amy Kahrmann Huseby Book 2020 The Editor(s) (if applicable) and The Author(s), und

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書目名稱Defining Pre-Raphaelite Poetics
編輯Heather Bozant Witcher,Amy Kahrmann Huseby
視頻videohttp://file.papertrans.cn/265/264792/264792.mp4
概述Offers of broad range of Pre-Raphaelite literary scholarship extending beyond consideration of Pre-Raphaelite visual and material arts.Illustrates the plurality of Pre-Raphaelite poetics connecting th
圖書封面Titlebook: Defining Pre-Raphaelite Poetics;  Heather Bozant Witcher,Amy Kahrmann Huseby Book 2020 The Editor(s) (if applicable) and The Author(s), und
描述.Defining Pre-Raphaelite Poetics. offers a range of Pre-Raphaelite literary scholarship, provoking innovative discussions into the poetic form, gender dynamics, political engagement, and networked communities of Pre-Raphaelitism. The authors in this collection position Pre-Raphaelite poetics broadly in the sense of .poiesis., or acts of making, aiming to identify and explore the Pre-Raphaelites’ diverse forms of making: social, aesthetic, gendered, and sacred. Each chapter examines how Pre-Raphaelitism takes up and explores modes of making and re-making identity, relationality, moral transformations, and even, time and space. Essays explore themes of formalist or prosodic approaches, expanded networks of literary and artistic influence within Pre-Raphaelitism, and critical legacies and responses to Pre-Raphaelite poetry and arts, codifying the methods, forms, and commonalties that constitute literary Pre-Raphaelitism..
出版日期Book 2020
關(guān)鍵詞Victorian poetics; pre-Raphaelite art; nineteenth-century artists; literary pre-Raphaelitism; poiesis; po
版次1
doihttps://doi.org/10.1007/978-3-030-51338-2
isbn_softcover978-3-030-51340-5
isbn_ebook978-3-030-51338-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Investigating Intersexuality: Pre-Raphaelite Poetics and the Hermaphrodite Self,1850, “Hand and Soul,” Rossetti’s famous short story or extended prose-poem, again published in ., and A. C. Swinburne’s “Hermaphroditus,” written in 1863 and published in . (1866). In all three texts, the sympathy for and comprehension of intersexuality bears out William Rossetti’s account of the h
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Musico-Literary Pre-Raphaelite Poetry, the Pre-Raphaelite influence had also migrated into another inter-medial and collaborative field of artistic expression, one that combined word and music. Mary Arseneau asserts the significant role that music has played in the development, dissemination, reception, and understanding of Pre-Raphaeli
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Afterword, with thresholds and borders, locating hybridity in the expansive and mobile qualities of language. Further, heeding the call of this volume, the afterword hints at six possible future directions for research and scholarly discussion: literary Pre-Raphaelitism as proto-modernist; the exploration of
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