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Titlebook: Decolonisation, Identity and Nation in Rhodesia, 1964-1979; A Race Against Time David Kenrick Book 2019 The Editor(s) (if applicable) and T

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樓主: CURD
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發(fā)表于 2025-3-26 21:56:32 | 只看該作者
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發(fā)表于 2025-3-27 01:17:15 | 只看該作者
Book 2019he book shows parallels between Rhodesia and other settler societies, as well as other post-colonial nation-states and even metropoles, as themes and narratives of decolonisation travelled around the world. .
33#
發(fā)表于 2025-3-27 06:53:38 | 只看該作者
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發(fā)表于 2025-3-27 12:06:43 | 只看該作者
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發(fā)表于 2025-3-27 13:37:57 | 只看該作者
Introduction,f imperialism, settler colonialism and nationalism. Kenrick skilfully illustrates how these different literatures overlap in the case study of white settler society in Rhodesia in the period of 1964–1979, and what this example can tell us more broadly about concepts of identity, decolonisation and n
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發(fā)表于 2025-3-27 18:46:03 | 只看該作者
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發(fā)表于 2025-3-27 22:04:28 | 只看該作者
Blood and Referendums: Nationalist History and the Case for a Unilateral Declaration of Independencs that emerged around sovereignty during a series of referendums in the 1960s, particularly ideas of governance which allowed white settlers to justify their rule during colonialism, and to compare white-minority rule to the independence granted to black majority governments during the 1960s. The ch
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發(fā)表于 2025-3-28 05:49:00 | 只看該作者
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發(fā)表于 2025-3-28 07:21:32 | 只看該作者
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發(fā)表于 2025-3-28 11:36:28 | 只看該作者
,‘The Last Word in Rhodesian’: Visions of the Nation in White Rhodesian Music,ere created by members of the public, with a genre of Rhodesian folk songs. The chapter argues that these two musical forms expressed different visions of the Rhodesian nation: one timeless and vague, another centred in the war against black nationalist liberation movements. Kenrick uses the changin
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