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Titlebook: Decolonial Aesthetics I; Tangled Humanism in Michaela Ott,Babacar Mbaye Diop Book 2023 The Editor(s) (if applicable) and The Author(s), un

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發(fā)表于 2025-3-21 16:26:00 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Decolonial Aesthetics I
副標(biāo)題Tangled Humanism in
編輯Michaela Ott,Babacar Mbaye Diop
視頻videohttp://file.papertrans.cn/265/264411/264411.mp4
概述Book brings up the question of the decolonisation of aesthetics in the German context.Book offers African perspectives and art practices.Interferences of aesthetics with ecological, environmental and
叢書名稱?sthetiken X.0 – Zeitgen?ssische Konturen ?sthetischen Denkens
圖書封面Titlebook: Decolonial Aesthetics I; Tangled Humanism in  Michaela Ott,Babacar Mbaye Diop Book 2023 The Editor(s) (if applicable) and The Author(s), un
描述.The publication aims to make suggestions for a ‘decolonisation of aesthetics‘? within an Afro-European framework. The texts (whose authors come from different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices analyzed include artistic installations and ensembles as well as actions in urban and rural space, deceptive man?uvres at the borders and their photographic documentation, and many more..
出版日期Book 2023
關(guān)鍵詞African scholars; Human aesthetics; Non-human technological others; Dividuation; Afro-European interfere
版次1
doihttps://doi.org/10.1007/978-3-662-65899-4
isbn_softcover978-3-662-65898-7
isbn_ebook978-3-662-65899-4Series ISSN 2662-1398 Series E-ISSN 2662-1401
issn_series 2662-1398
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer-Verlag GmbH, DE
The information of publication is updating

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Dependency or Interdependency in Old Ageing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of view of Africa.
板凳
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Jost Reinecke,Maike Meyer,Klaus Boersack at some of the Cameroonian artist’s highly provocative performances from 1996 to 2002 in order to address issues of racism and immigration. From . to ., through ., ., . and ., we learn to understand that his artistic work, through its intercultural and interaesthetic scope, is a global, (non-in)dividual and decolonial art.
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?sthetiken X.0 – Zeitgen?ssische Konturen ?sthetischen Denkenshttp://image.papertrans.cn/d/image/264411.jpg
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發(fā)表于 2025-3-22 23:55:12 | 只看該作者
African Art: Debates and Controversies Around a Concept,ing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of view of Africa.
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發(fā)表于 2025-3-23 04:05:51 | 只看該作者
,The Notion of Mobility in Barthélémy Toguo’s Work: Reflection on a Decolonial Artistic Practice,ack at some of the Cameroonian artist’s highly provocative performances from 1996 to 2002 in order to address issues of racism and immigration. From . to ., through ., ., . and ., we learn to understand that his artistic work, through its intercultural and interaesthetic scope, is a global, (non-in)dividual and decolonial art.
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