Titlebook: Decadent Poetics; Literature and Form Jason David Hall (Lecturer in English),Alex Murray Book 2013 Palgrave Macmillan, a division of Macmi

夸張

obsolete

不要不誠(chéng)實(shí)

Heinz Penzlin Professor i. R. Dr. Dr. h. c. emerged as a result of Romantic-era philology, stimulating anxiety and insecurity about English literature’s role in promoting English culture. The rise of comparative philology and its neogrammarian programme also inspired the need to define English prosody—its pronunciation but also versifi- cati

Contracture

Heinz Penzlin Professor i. R. Dr. Dr. h. c.later Ford Madox Ford) writes that in 1914 the Modernists ‘plotted the blowing of Parnassus to the moon’.. And for all the recent scholarly attention devoted to re- evaluating Decadence, there is still a lingering unease about its forms. While much of the scholarship in recent years has explored the

樣式

habile

尖叫

,Das Ph?nomen der Rückverlagerung,nt on, ‘we lose our hold on the present; but so far as there was any dramatic tradition in Shelley’s day there was nothing worth keeping. There is all the difference between preservation and restoration.’. The essay then moved on to discuss the reasons why Elizabethan poetic drama had been and still

無(wú)意

Decimate

DAFT

,Gezielter Umgang mit Kreativit?t,cadent Movement in Literature’, portrays decadence as ‘a(chǎn)n intense self-consciousness, a restless curiosity in research, an over-subtilizing refinement upon refine- ment, a spiritual and moral perversity’.. In the end, for Symons, there can be no coherent decadent self, only ‘a(chǎn) disembodied voice, and