Titlebook: Decadence in Literature and Intellectual Debate since 1945; Diemo Landgraf Book 2014 Diemo Landgraf 2014 Cultural Studies.culture.Europe.l

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M. Kiechle-Schwarz,L. Walz,A. PfleidererEnglish an appropriate medium of expression to translate a flagship of Francophone popular culture such as the . comic series for a French-Canadian audience? This is the question that stirred up a highly publicized controversy in Quebec media when, in October 2009, a Quebec-French version of the com

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Vaginismus

https://doi.org/10.1007/978-3-540-87898-8h were perceived to be reflected in the semantic content of the term .. The novels of several French authors—among whom Michel Houellebecq, of special interest here—seemed to display something akin to “un nouveau mal du siècle,” “[une] version nouvelle du désenchantement.” The writers in question ap

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https://doi.org/10.1007/978-3-658-40693-6ch engrained in the social imaginary. The concept of decadence, utilized by Edward Gibbon in the 1700s and later taken up by Oswald Spengler in the twentieth century, involves a sense of regression: it is the end of something that was once important. That being said, although the feeling of decadenc

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hermitage

Overview: Bridging the gap between decadence as it is traditionally understood in literary and cultural studies and its relevance to current phenomena, this interdisciplinary collection examines literary texts and movies from Europe and the United States since 1945.978-1-349-49219-0978-1-137-43102-8

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https://doi.org/10.1057/9781137431028Cultural Studies; culture; Europe; law; novel; society; structuralism; Tradition; Walter Jens

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