Titlebook: Dark Humour and Social Satire in the Modern British Novel; Triumph of Narcissis Lisa Colletta Book 2003 Palgrave Macmillan, a division of N

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Modernism. She brings together the usual suspects alongside more often overlooked writers from the period, and asks probing questions about the relationship between a dark humour that ‘revels in the non-rational, the unstable, and the fragmented, and resists easy definition and political usefulness‘

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Book 2003istorical and social circumstances of the period. Colletta makes a compelling argument that probing deeply into the nature of humour or satire that define these ‘social comedies‘ brings to light a more complex, and more accurate, understanding of the social changes and historical circumstances that define the modern era.

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Die Wirtschaftswissenschaften. Neue Reihe by the absurd image of the limousine foundering in the mire of a senseless war. It is at once horrific and hilarious, the only fitting end to a novel that comically bears witness to the turmoil and tragedy of British life in the wake of World War I.

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Introduction Modernism and Dark Humor, by the absurd image of the limousine foundering in the mire of a senseless war. It is at once horrific and hilarious, the only fitting end to a novel that comically bears witness to the turmoil and tragedy of British life in the wake of World War I.

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,Criticizing the Social System: ,, Virginia Woolf’s Dark Comedy of Manners,erpinning them, springing from ideas of order and the belief in rational progress for the future, no longer appear viable when confronted with the realities of a cruelly irrational, postwar world. Societal institutions are paradoxically shown to impose too much order and not enough—too much in that