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Titlebook: Dance and Cultural Difference in Aotearoa; Finding Common Groun Kristie Mortimer Book 2021 The Editor(s) (if applicable) and The Author(s),

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樓主: 夸大
21#
發(fā)表于 2025-3-25 05:06:52 | 只看該作者
,Dance Studio Teachers’ Maintenance of Ethnocentric Bias in Dance Studio Classes,Dance studio teachers are maintaining ethnocentric bias through denying, denigrating and minimising cultural difference. This maintenance of ethnocentric bias can lead to exclusion being expressed towards their students, despite holding inclusive aspirations. This chapter:
22#
發(fā)表于 2025-3-25 09:06:23 | 只看該作者
Allowing Space for Ethnorelative Practices to Emerge in Dance Studio Practices,Through seeking to allow space for ethnorelative practices to emerge in dance studio practices inclusion and social integration can be fostered within the dance classes. From analyses of the dance studio teachers’ narratives, this chapter:
23#
發(fā)表于 2025-3-25 15:24:46 | 只看該作者
Kristie MortimerAddresses rural dance practice in Aotearoa/New Zealand.Contributes to the limited existing literature which focuses on rural dance studio classes.Attends to issues of cultural diversity, inclusion and
24#
發(fā)表于 2025-3-25 16:50:17 | 只看該作者
25#
發(fā)表于 2025-3-25 20:08:48 | 只看該作者
https://doi.org/10.1007/978-981-16-1171-1Aotearoa; New Zealand; dance; cultural difference; inclusion; social integration; culturally responsive pe
26#
發(fā)表于 2025-3-26 03:19:33 | 只看該作者
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
27#
發(fā)表于 2025-3-26 06:51:13 | 只看該作者
Dance and Cultural Difference in Aotearoa978-981-16-1171-1Series ISSN 2661-8451 Series E-ISSN 2661-846X
28#
發(fā)表于 2025-3-26 10:06:42 | 只看該作者
29#
發(fā)表于 2025-3-26 16:29:31 | 只看該作者
überblick aus pr?ventiver Sichtial connectedness can be valued and fostered within dance studio contexts, with the dance teacher’s perspectives and pedagogical practices contributing to expressions of inclusion and exclusion. This chapter:
30#
發(fā)表于 2025-3-26 17:21:03 | 只看該作者
Komplikationen und ihre Behandlung,usion and socialisation with their dance studio classes. However, the influence of mainstream media and dominance of Eurocentric practices can lead to issues around hierarchy, ethnocentric bias, binary perspectives, and assimilative expectations. Drawing on the dance teacher’s narratives, this chapter:
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