Titlebook: D. H. Lawrence in the Modern World; Peter Preston (Staff Tutor in Literature),Peter Ho Book 1989 Palgrave Macmillan, a division of Macmill

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,‘Hibiscus and Salvia Flowers’: the Puritan Imagination,ort under Mount Etna. His poem may be regarded as a distinctively puritan response to the political situation in Italy — it is written ‘to the moment’ and represents a volatile complex engagement with Italian socialism. If we regard Lawrence as belonging to the libertarian, essentially right-wing st

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,Making the Classic Contemporary: Lawrence’s Pilgrimage Novels and American Romance,n them.. A related question, equally significant but seldom addressed, is how his reading of Melville, Hawthorne and others affected form and substance in his own novels. An exception to the general silence on this question, Richard Swigg, has shown how much . owes to precepts Lawrence gleaned from

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978-1-349-09850-7Palgrave Macmillan, a division of Macmillan Publishers Limited 1989

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Leong Chan,Liliya Hogaboam,Renzhi Caoirginia Woolf, Beckett— is to encounter headon books which, through explicit analysis, convolution or analogy, reflect on themselves. These authors look at art, look at the imagination of other artists, and look at themselves. This kind of reflexiveness is not peculiar to the twentieth century (nor

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Big Data Powering Business Intelligenceto Lawrence biography, or of little worth except for the extent to which they can be plundered for any thematic implications they have for Lawrence’s fiction. The success of the three colliery plays, ., and ., on the English stage since the late nineteen-sixties has proved that they are not the clos

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https://doi.org/10.1007/3-540-44574-9rips to Italy, Germany, Ceylon, Australia, New Mexico, Mexico, and then back to Europe. Even after his death he took a long journey (from France to New Mexico). However, he was not just an ordinary tourist. He was a pilgrim in search of ‘the Truth’, and what he sought and found he recorded in his po