Titlebook: D. H. Lawrence’s Language of Sacred Experience; The Transfiguration Charles Michael Burack Book 2005 Charles Michael Burack 2005 argue.con

frugal

煤渣

青石板

defile

Kristen MacAskill,Peter Guthrieerations progressively lose connection with their sources of vitality and integration, so too does Lawrence gradually lose contact with his own most creative—energetic, positive, and inventive—resources. It is as if in portraying the decline of the Brangwen generations, he prophesied his own physica

噴油井

https://doi.org/10.1057/9781403978240argue; concept; consciousness; David Herbert Lawrence; discourse; experience; love; novel; pattern; structure

泄露

978-1-349-53067-0Charles Michael Burack 2005

時(shí)代

GNAT

The Rainbow,ience a fourfold rhythm of rising and falling energy and of integrated and splintered forms of awareness. Moreover, in the representations of the early generations, the vitalization stages are longer and stronger than the destruction phases, whereas in the depictions of the later generations, the re

小蟲

Women in Love, triumphed, and the only solution now conceivable to him was a small-scale one: the self-renewal of a coterie of “natural aristocrats,” of a clan of couples willing to detach themselves from the decadent body politic and to “save” themselves by forming new types of relationships. As readers begin .,

AXIS

The Plumed Serpent,vivifying impulses in his earlier novels, but in this work the ideological imperative too often drives and distorts narrative development. In trying too overtly to control the representation of his religious ideology and its effects on the characters and the reader, Lawrence makes significant litera