Titlebook: D. H. Lawrence’s Language of Sacred Experience; The Transfiguration Charles Michael Burack Book 2005 Charles Michael Burack 2005 argue.con

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Introduction,is death, he insists that the imagination is an essentially sacred faculty and is energized by bodily feeling:.Critics have examined the nature of Lawrence’s religious ideas and symbols but have skirted the question of how his novels function as religious art..

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Conclusion,l, emotional, and artistic decline. The result is that . the most effective embodiment of the transformative pattern, and . the least effective. . can be considered a final rallying of resources before the ultimate fall into death.

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s of his readers. Charles Burack argues that Lawrence‘s major novels, beginning with The Rainbow , are structured as religious initiation rites that attempt to break down the reader‘s normative mindset and to evoke new, numinous experiences of self and world. Through careful analysis of narrative st

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Book 2005eaders. Charles Burack argues that Lawrence‘s major novels, beginning with The Rainbow , are structured as religious initiation rites that attempt to break down the reader‘s normative mindset and to evoke new, numinous experiences of self and world. Through careful analysis of narrative structure, l