Titlebook: César Vallejo; A Poet of the Event Víctor Vich Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spring

Clinical-Trial

書目名稱César Vallejo影響因子(影響力)




書目名稱César Vallejo影響因子(影響力)學(xué)科排名




書目名稱César Vallejo網(wǎng)絡(luò)公開度




書目名稱César Vallejo網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱César Vallejo被引頻次




書目名稱César Vallejo被引頻次學(xué)科排名




書目名稱César Vallejo年度引用




書目名稱César Vallejo年度引用學(xué)科排名




書目名稱César Vallejo讀者反饋




書目名稱César Vallejo讀者反饋學(xué)科排名

Complement

A Poet of the Ethics of the Real,man condition. Assuming the Lacanian category of the Real as what is beyond the rules established by culture, the chapter addresses Vallejo’s poetry as one that has chosen to think subjectivity from its failures. It interprets some of Vallejo’s central poems in order to observe how this leads to une

擔(dān)心

A Poet of the Language Crisis,ejo struggles against language, by approaching the edge, bordering on language with non-language, renaming names, and carrying out operations within language. Through the analysis of key poems, this chapter traces the unnameable as that hole or excess that reveals the inconsistency of the symbolic o

ARIA

JECT

A Poet Who Announces the Event,world and can begin to transform it. For Badiou, an . is something, fundamentally new, that emerges from that which was not counted in the established frameworks; something that emerges from the holes of the social to break the inertia of daily reality. What is central to the . is the moment in whic

minaret

minaret

SNEER

Vallejo and Political Art Beyond Death (Conclusions),s of art and wanted to challenge his readers, to influence them, to encourage them, to recognize a truth that had taken place. It is often said that political art is “bad” because it is circumstantial and because it has a short life. However, Vallejo produced a poetry that is deeply rooted in his ti

absorbed

Book 2024ty. It studies the emergence of a subject who affirms a truth that exceeds the law, interrupts hegemonic repetition, asserts universal solidarity, and defends "lost causes" despite political failure. The author reconfigures the traditional reading of Vallejo only as a poet of pain and human sufferin

迫擊炮

Introduction,e event that testifies its presence and defends it in spite of its political failure. The book studies the emergence, in the poems, of a subject that interrupts hegemonic repetition, affirms a truth that exceeds the law and never gives up despite failure or “l(fā)ost causes.”