Titlebook: Cynicism in British Post-War Culture; Ignorance, Dust and Kieran Curran Book 2015 Palgrave Macmillan, a division of Macmillan Publishers L

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Robert M. Post,Susan R. B. Weiss has tended to rely on his past glories and past witticisms (as well as the die-hard loyalty of many of his acolytes) to retain his cultural cachet. Recent media statements as to the barbarity of “the Chinese” and “Canada” as a whole — due to their respective animal rights records — has reinforced t

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,: British New Wave Cinema,ir literary source texts. As a result, some critics have viewed the British “New Wave” as being too indebted to a staid form of British realism. The crucial appeal of the form rests in the fact that, in spite of a relative decline in cinema attendances, it was still a medium which particularly reson

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,: The Smiths,1960s, as well as the maturation of the baby boom generation and the limits of hippy optimism. Poliakoff reflects a disillusionment with the hangover of the said optimism in the 1970s, leading into punk and post-punk music. And many critics see the Smiths as inextricably linked with the deconstructi