Titlebook: Cynicism in British Post-War Culture; Ignorance, Dust and Kieran Curran Book 2015 Palgrave Macmillan, a division of Macmillan Publishers L

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Nathan A. Holtz Ph.D.,Marilyn E. Carrollin writing that:.Carys Wyn Jones has identified slight currents in popular music academic discourse seemingly devoted to placing the Beatles alongside traditional high cultural practices of yore — for instance, via the . series of conferences/books, which sought to apply traditional (classical) musi

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https://doi.org/10.1007/978-1-60761-898-0 the stage. Indeed, it is his mid-1970s dramatic work that I find most interesting in the context of the cynic sensibility. The three plays to be discussed in this chapter — in chronological order, . and . — all bear the hallmarks of the sensibility. They all, with degrees of variation, possess the

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Susan L. Stoddard,James A. Rogers IIIas “always different, always the same”. From their foundations in 1976, the only constant member of the group is iconoclastic lead vocalist and lyricist Mark E. Smith. His original concept for the band as encapsulating “primitive music with avant-garde lyrics” has been the driving force of their out

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Robert M. Post,Susan R. B. Weiss the same key characteristics that the previous chapters have mapped out. Of course, Morrissey continued to pursue some of the same lyrical themes (such as the call for the obliteration of Middle English mundanity referenced in the epigraph), but in his pronouncements and artistic outputs from the 1

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Ren? A. Sowell,D. Allan ButterfieldIn the following passage from his history of countercultural London, long-standing music writer and cultural critic Barry Miles identified the huge popular significance and impact of punk music on late 1970s British culture:

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,: Punk and the Cynic Sensibility,In the following passage from his history of countercultural London, long-standing music writer and cultural critic Barry Miles identified the huge popular significance and impact of punk music on late 1970s British culture:

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Overview: This book is the first academic text to examine cynicism as a driving force in the context of post-war British culture. It maps a sensibility that transcends divisions between high and low culture, and encompasses figures such as Philip Larkin, John Lennon and Stephen Patrick Morrissey.978-1-349-49564-1978-1-137-44435-6

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Ami P. Raval,Chunli Liu,Bingren R. Hust group, sought to increase solidarity and collective action in the face of “the deadening, debilitating effect of unemployment” (Orwell 73). Extreme hardship and institutional carelessness were par for the course — the dole was low, and rules preventing working illegally to earn extra money were r