Titlebook: Contemporary Heritage Lexicon; Volume 2 Cristiana Bartolomei,Alfonso Ippolito,Simone Helen Book 2024 The Editor(s) (if applicable) and The

CHASE

Street Art and Its Conservation Problems, a more careful reflection regarding conservation issues and those concerning the compatibility of this artistic phenomenon urban with pre-existing structures. This is especially true of the space in the historical city core, whose visual perception is changed by the presence of these works. Graffit

Demulcent

,“Painting in Space”. Henri Ciriani and the Metaverse,stract, sculptural architecture suspended between land art and painting. His production of colorful sketches, refined designs and engaging buildings illustrate the trajectory of this long, “patient” research on “painting” shapes in space. His architecture’s goal is to inspire human highest ambitions

arbiter

Ferritin

Modernist High-Rise Buildings in Italian Seaside Resorts: Contemporary Interpretation and New Technompared to more recent coastal developments around the world, these buildings remain significant landmarks, still shaping the skyline of their locations. The skyscrapers of Milano Marittima (1957), Cesenatico (1958), Rimini (1959), and Livorno (1966), are among iconic elements of Italian post-war mo

Compassionate

The Structural Conception in Architecture in the Digital Era, Between Aesthetics and Ethics,he result of a substantial correspondence between conception and realisation. In the electronic and digital era, this role seems to be entrusted to the mathematical-numerical instrumentation offered by software. With the evolution of computational tools and numerical skills, the ability to design st

indigenous

MUTED

BIM for Post Modern Lexicon. The Representative Question of Architectonic Language from America to e. Communication became for those years, an architectural theme superimposed and abstract by function and structural needs, with abstract “architectural elements” in a hyperbolic way with respect to function. It was possible a parallelism between the American architecture and the architect Gian Carl

陰險(xiǎn)

Glutinous

,Pino Pizzigoni’s ‘Minima House’ in Bergamo: From the Architectural Project to Its Safeguarding,hat was planned to generate a popular district, which was ultimately not implemented. To respond to the construction crisis following the Second World War, the architect designed an architecture that was both singular and unique in space and volume. He proposed a new model that encompassed both the

過(guò)于平凡

,Pietro Lingeri on Isola Comacina, Between Modern Movement’s Lexicon, Rural Shapes and Cabinetmakingiculously restored between 2009 and 2010 by Andrea Canziani and Rebecca Fant, are perceived as a product of stratification. This reveals the imprint of Pietro Lingeri’s project from 1937 to 1940, as well as earlier endeavors by the same architect. Moreover, it acknowledges the sequence of events fro