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Titlebook: Conspiracy Ideologies in Films and Series; Explanatory Approach Denis Newiak,Anastasia Schnitzer Book 2024 The Editor(s) (if applicable) an

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發(fā)表于 2025-3-21 17:25:21 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Conspiracy Ideologies in Films and Series
副標(biāo)題Explanatory Approach
編輯Denis Newiak,Anastasia Schnitzer
視頻videohttp://file.papertrans.cn/243/242388/242388.mp4
概述Illuminates the phenomenon of conspiracy ideologies from the perspective of media studies.Makes the action knowledge contained in film and television available for crisis management.Submits applicatio
圖書封面Titlebook: Conspiracy Ideologies in Films and Series; Explanatory Approach Denis Newiak,Anastasia Schnitzer Book 2024 The Editor(s) (if applicable) an
描述.Corona as a staged instrument of oppression, secretly kept vaccination deaths or politicians drinking children‘s blood: at the latest since the outbreak of the Covid 19 pandemic, conspiracy ideologies are booming and harm social peace and democratic will formation through their dogmatism. So-called conspiracy theories generate systematic distrust of legitimate political institutions and can contribute to social polarization, dangerous populism and extremist escalation. Conspiracy ideologies have always been a topic in movies and television series, as they have always dealt with the relationship between reality and illusion, truth and fiction, reality and dream, sense and madness through their cinematic means. Series and films not only serve as a discursive space for social self-understanding, but also, through their complex narratives, constellations of characters and aesthetics, offer catchy explanations for the emergence and spread of conspiracy narratives. At the same time, theymake suggestions, some of them astonishingly concrete, for dealing with such collective delusions. What can we learn from the fictional worlds of series and films for dealing with this very real contempo
出版日期Book 2024
關(guān)鍵詞Conspiracy myths in film and television; Conspiracy narratives in film and television; Corona crisis; C
版次1
doihttps://doi.org/10.1007/978-3-658-43694-0
isbn_softcover978-3-658-43693-3
isbn_ebook978-3-658-43694-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Fachmedien Wies
The information of publication is updating

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https://doi.org/10.1007/978-3-658-43694-0Conspiracy myths in film and television; Conspiracy narratives in film and television; Corona crisis; C
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European Society in the Belle Epoque,ered refuted in science. The credibility of the narrative is based on the statements of a whistleblower. The article outlines the motif of whistleblowing starting from the feature film A. [USA 1976] and then derives how it was functionalized for V.. In doing so, contradictions emerge that reveal whi
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Christopher L. Colvin,Homer Wagenaaron of how he could not have known about his opponents and their plans at the height of his power. His health condition plays an important role in this debate and has inspired the theory that he staged his own murder to achieve his own goals. The article thus addresses a conspiracy against the conspi
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