Titlebook: Class, Culture, and the Media in Greece, Volume 2; Neoliberalism(s), th Yiannis Mylonas,Elena Psyllakou Book 2024 The Editor(s) (if applica

tenosynovitis

,“Reading” with Online Audiences: Social Class Depictions in Christopher Papakaliatis’ Television Sh engage with and interpret his work. Combining close readings with netnographic elements, this study seeks to bridge the gap between academic writing and audience/fan perspectives, advancing the dialogue on class representation and its reception in Greek television research.

搖擺

無政府主義者

AMBI

,On the Network?Culture?of Electronic Dance Music,, and a claim to a bohemian lifestyle. Perhaps, reflecting on EDM network culture means delving into EDM’s techno-aesthetic infrastructures, where “public recognition” and “personal success” lose their discursive certainties in the whirlwind of techno-mediated affects and the grassroots (re)negotiation of technological progress.

tariff

Afterword: Ghosting, Imagery, and Reconstruction: Or, What We Do Not Talk About When We Do Not Talklay”. Such a turn is crucially more alert to novel articulations of power, social hierarchy, hegemony and belonging, while also allowing us to trace new histories and archives of social class in Greece.

工作

Generic-Drug

,The Greek New Middle Class and Fashion in Late Modernity: Between Individualized “conformity” and “ves as worthy subjects, capable of personal, successful choices, and again to prove themselves as “competent consumers”, subjects capable of playing successfully in the field of fashion and consumption.

外面

Wanna Be on Top? Labor Pedagogies and Neoliberal Ethics in , (,),ounding on Greek reality competitions and, in particular, .. More specifically, the essay centers on three critical moments that define the competition format, namely the challenges, the coaching, and the weekly judgment, and focuses on the discursive and visual strategies through which reality TV n

STALL

Cooperative Media and the Politics of Class: Exploring Post-capitalist Logics in the Cooperative Me and demands. In doing so, the chapter attempts to expand conceptions of a . able to incorporate the experience of political cooperativism and offer an understanding of how worker-owned media practices can contribute towards a post-capitalist strategy.

ADORE