Titlebook: Class, Culture, and the Media in Greece, Volume 2; Neoliberalism(s), th Yiannis Mylonas,Elena Psyllakou Book 2024 The Editor(s) (if applica

FUME

Samuel Awuah-Nyamekye,Joseph Oppongmembers of two worker-owned media cooperatives, Efimerida ton Syntakton and AltherThess. The chapter devises political discourse theory in naming and explaining implicit and explicit norms and values embodied in their cooperative practices. The authors show how cooperative media can offer an alterna

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African Values, Ethics, and Technologyrom the film . directed by Athina Rachel Tsangaris (2010), in order to argue that what popular views about social class in Greece share with earlier scholarly debates is their tendency to see class as (a) a revenant, a ghostly presence; (b) as a top-down process of description and identification, in

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Yiannis Mylonas,Elena PsyllakouBrings together studies focusing on the Greek realities of class as they appear in the Greek media realm.Reveals the complexities and relationalities of class cultures and classed selves in their maki

Initiative

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https://doi.org/10.1007/978-3-031-55159-8neoliberalism; hegemony; European periphery; counter cultures; class identity

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978-3-031-55161-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

Carminative

,The State They Live in: Lumpenproletariat and Linguistic Capital in Yannis Economides’ Films, Economides’ films not as a stable (sub)class but as a social process that manifests itself in three ways: in its self-separation from any productive activity, the absence of a collective determination, and the instances of its spontaneous expressions.

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