Titlebook: Cinematic Homelands; The Cultural and Gen Mara Antic Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license to

纖細(xì)

Samiratou Dipama,Emel Parlar Dalhe female protagonists are shown as active agents of change, mobile and in transit, yet unsure of what will come. The films’ lack of closure leaves us puzzled about the women’s future and whether or not their empowerment and feminist consciousness will last. All of the questions raised around female

monochromatic

resuscitation

改正

Terrace

遣返回國(guó)

牽連

ENNUI

Instead of Conclusion: Diasporic Indeterminacies,he female protagonists are shown as active agents of change, mobile and in transit, yet unsure of what will come. The films’ lack of closure leaves us puzzled about the women’s future and whether or not their empowerment and feminist consciousness will last. All of the questions raised around female

調(diào)整

勤勉

Introduction,section of three conceptual frameworks: feminist theories of women’s film authorship, Hamid Naficy’s concept of “accented” cinema, and Iranian transnational cinema. Furthermore, the chapter introduces the concepts of exile, diaspora and post-diaspora, and provides a brief history of the formation of