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Titlebook: Charlotte Mew: Poetics, Bodies, Ecologies; Francesca Bratton,Megan Girdwood,Fraser Riddell Book 2024 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-28 15:48:47 | 只看該作者
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發(fā)表于 2025-3-28 22:45:30 | 只看該作者
43#
發(fā)表于 2025-3-29 02:49:46 | 只看該作者
G. Cioni,A. Colagrossi,A. Miolaor reduces her ‘heap of treasured papers’ to ‘masses of charred paper’ and ‘blackened fragments’ on the hearth. These apocryphal manuscripts are among the many frustrating lacunae in the biography and poetic legacy of Mew, one of the most inscrutable literary figures of the nineteenth century.
44#
發(fā)表于 2025-3-29 06:06:46 | 只看該作者
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發(fā)表于 2025-3-29 09:35:49 | 只看該作者
Rachel M. McCleary,Robert J. Barroand addressees, through live performance. Through consideration of Mew’s engagement with ambiguous gender-profiling, shifting presence, uncertain power dynamics, and imagined identification, the chapter explores the ways in which the equivocality of address in Mew’s writing both complicates and info
46#
發(fā)表于 2025-3-29 12:26:24 | 只看該作者
Martina Fricke,Freimut Bodendorfsult is not heroic resolution or confessional exorcism but rather an unsettled experience of grief, continuously interrupted and refused by what Winnicott termed ‘manic defence.’ The threatened loss of a love-object and the loss of a world are not readily separable in such a poem. Contemporary reade
47#
發(fā)表于 2025-3-29 16:49:53 | 只看該作者
Rebecca Fischer,Hauke Hasenknopfself/world . Through her work, Mew explores the liberatory potentials that an ecologically conceived model of being might offer a subject beleaguered by modern living. Her work considers the natural world as both an aesthetic and material phenomenon, explored through the confluence of sensorial and
48#
發(fā)表于 2025-3-29 22:31:19 | 只看該作者
Matthia Leyendecker,Christian Zagelw’s speakers to their less noted multilingualism. In that performative range, we find an intimate connection between Mew’s travel poetics and her prowess in the dramatic monologue, for these texts model dramatic character as an unstable and place-based phenomenon. The chapter concludes by situating
49#
發(fā)表于 2025-3-30 01:41:41 | 只看該作者
Rebecca Fischer,Hauke Hasenknopf beliefs. The final section of the chapter turns to Mew’s story ‘Mademoiselle’ (1904), which exposes the dilemma facing an ageing professional woman who wishes to believe that she remains a source of sexual attraction to her younger (fickle) male lover. Taken together, these works reveal how Mew rec
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