Titlebook: Catherine of Lancaster and her Religious Court Poets; Lesley Twomey Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu

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https://doi.org/10.1007/978-3-7091-9297-9nd their anniversaries were typically celebrated by the whole court and marked with jousts, mumming, tableaux, and a range of performative activities.?Catherine of Lancaster attended many jousts, including one held in Portugal to celebrate Philippa of Lancaster‘s wedding and one to celebrate her own

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J. A. Taren M.D.,D. A. Ross,S. S. Gebarskikly, when her husband died, to the high-ranking nobles who came to her in Segovia to perform the customary obeisance to the new king and she did this by ensuring she maintained control of the child-heir.

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https://doi.org/10.1007/978-3-7091-8592-6of?Marian themes in the . songbook, including the Annunciation and Salutation of the Virgin, Nativity lyrics as well as Assumption and Coronation lyrics, Joys of the Virgin and?lyrics on Mary as mediatrix. It also addresses the role of the Virgin at the Passion. Doctrinal verse in Baena includes the

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https://doi.org/10.1007/978-3-7091-8726-5ent in Castile. It has examined how her authority, little understood, might have contributed to changes taking place at the Castilian court, especially among the circle of noble, professional, and administrative poets.

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Catherine of Lancaster and her Religious Court Poets978-3-031-58480-0Series ISSN 2730-938X Series E-ISSN 2730-9398

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978-3-031-58482-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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E. de Divitiis,A. D’Errico,A. CerilloThe aim of this chapter is to provide an overview of Middle English Marian lyric and its main themes at the time when Catherine of Lancaster was living in England. It is important to establish which lyric was circulating and, where possible, to point out what links there might be to the Lancaster domains or the De Mohun area of interest.