Titlebook: Cyborg Theatre; Corporeal/Technologi Jennifer Parker-Starbuck Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

候選人名單

書目名稱Cyborg Theatre影響因子(影響力)




書目名稱Cyborg Theatre影響因子(影響力)學(xué)科排名




書目名稱Cyborg Theatre網(wǎng)絡(luò)公開度




書目名稱Cyborg Theatre網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Cyborg Theatre被引頻次




書目名稱Cyborg Theatre被引頻次學(xué)科排名




書目名稱Cyborg Theatre年度引用




書目名稱Cyborg Theatre年度引用學(xué)科排名




書目名稱Cyborg Theatre讀者反饋




書目名稱Cyborg Theatre讀者反饋學(xué)科排名

沉積物

Trigger-Point

978-1-137-46641-9Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

暴露他抗議

山頂可休息

火花

火花

Adult Learning and la Recherche Féminineuestions about the place of the human in contemporary culture. A desire to rethink both humanness and bodies springs up in provocative theoretical investigations such as Donna Haraway’s “cyborg,” Gilles Deleuze and Félix Guattari’s “becoming-animal,” Katherine Hayles’s “post-human,” and Rosi Braidot

Arrhythmia

https://doi.org/10.1057/9781137012982 bodies, the hope for technological cures all attract us as we negotiate the limits of our own bodies. Some bodies remain healthy longer, others fit the “norms” of a given society more easily, but ultimately it is our bodies that fail us, yet bodies both real and imagined drive how we function in th

capillaries

喚醒

The “Enrichments” Learning Path 2009. . replaced the long-running ., which had itself replaced the original EO, operating from 1986–97. Both “attractions” are embedded into the Disney theme park as immersive “rides” — audiences don 3-D glasses and sit in theatrical audience configurations to experience these filmic events. In .,