Titlebook: Curating Difficult Knowledge; Violent Pasts in Pub Erica Lehrer (assistant professor in History and A Book 2011 Palgrave Macmillan, a divis

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capsule

(Mis)representations of the Jewish Past in Poland’s Memoryscapes: Nationalism, Religion, and Politic capricious, non-linear work of remembrance, jumping from one image of the past to another, buffeted by the feelings evoked by the particular space in which we are located, or the communication networks in which we participate (Delanty, 1999: 71).

Atrium

Whole Person Care on a Busy Medical Ward,rnated by how we might engage with these pasts: who should look, at what, how, and to what end? There is an enduring sense that reluctant publics must be forced to confront horrific realities with which we may be somehow complicit—if only in our desire not to really know.

Carminative

Constitution

Constitution

FATAL

The Past is a Dangerous Place: The Museum as a Safe Havenration Museum are unique in the Australian landscape, for they both push the frontiers of what is possible to do and express about social injustices, tensions and conflict. For the Museum, this means navigating the difficult waters of Australia’s diverse peoples who share the same lands and the legacy of colonialism and racism.

excursion

流出