Titlebook: Cultures of Work, the Neoliberal Environment and Music in Higher Education; Sally Macarthur,Julja Szuster,Paul Watt Book 2024 The Editor(s

breadth

Sensual Encounters with the Materiality of Rachmaninoff’s Piano Concerto No. 2ipline of Music. It draws on both the vocabularies of the Music discipline and on new materialist philosophies of Deleuze, Barad, and Bennett. The authors, a social scientist and a musician/musicologist, together explore the specific materiality of Sergei Rachmaninoff’s Piano Concerto No. 2 in c min

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Book 2024bears little resemblance to other university practical disciplines, and fares poorly in a model driven by economics, the book considers whether musicology is a ‘public good’ or a threatened species. It contemplates what musicology can usefully contribute to a paradigm driven by economics, and questi

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Cultures of Work, the Neoliberal Environment and Music in Higher Education978-3-031-50388-7Series ISSN 2662-7329 Series E-ISSN 2662-7337

overture

Building a Workflow with Visual Studio 2005 an uncomfortable position in the neoliberal university on two fronts: first, as humanities disciplines, musicology and ethnomusicology fare poorly in a model driven by economics; and second, as a practical discipline, with specialisations including performance, composition, and sound-based arts, li

儲備

Setting Up a Network Presentation,act of incivility, which often leads to bullying and other forms of physical, sexual, and psychological violence, on music academics in higher education. The chapter explores the gendered and raced nature of incivility, and the star system, which is both heightened in music and heightens the potenti

expound

https://doi.org/10.1007/978-1-4302-0368-1ng this work as a researcher has not been examined. The chapter thus asks whether working as a feminist and/or queer researcher has negative impacts, noting that in the 1990s Susan McClary claimed that undertaking such work would be tantamount to committing professional suicide. In her recently publ

infarct

Meeting the Hardware Requirements,digital streaming service, or the venue of a performance—and how are the emergent technologies supporting dissemination to be used? Is it the relevance of that research to society’s immediate needs or its impact within its field that give it value? Is quality captured by citation numbers or grant su

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Using the Remote Desktop Connection, university. At the end of 2021, for instance, the Australian Federal Government’s Acting Minister for Education and Youth exercised a power of veto over six Australian Research Council applications that had otherwise been recommended by the Council for funding. While a chorus of protests emanated f

anachronistic

Meeting the Hardware Requirements,onsiderable challenges, not least because it involves specific skills in improvisation as well as an approach to notated music that regards it as a descriptive starting point rather than a prescriptive text. In this latter sense, some practitioners of ‘European’ early music (many being themselves of