Titlebook: Cultures of Taste/Theories of Appetite: Eating Romanticism; Timothy Morton Book 2004 Timothy Morton 2004 English literature.John Keats.Per

強(qiáng)烈的愿望

書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism影響因子(影響力)




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism影響因子(影響力)學(xué)科排名




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism網(wǎng)絡(luò)公開度




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism被引頻次




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism被引頻次學(xué)科排名




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism年度引用




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism年度引用學(xué)科排名




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism讀者反饋




書目名稱Cultures of Taste/Theories of Appetite: Eating Romanticism讀者反饋學(xué)科排名

Pert敏捷

William Henry Ireland: From Forgery To Fish ’N’ Chipsal archive of Shakespearean manuscripts, had his supposedly original new Shakespeare play . performed at Drury Lane, confessed to the forgery, been disowned by his father, revealed to be the illegitimate child of the housekeeper, and written his autobiography. He spent the remainder of his life as a

分開如此和諧

后來

暫時(shí)中止

心痛

心痛

Hegel, Eating: Schelling And The Carnivorous Virility Of Philosophyhe Concept” [.], and for configuring that labor as an expression of the subject’s sovereign potency.. Of the .s pretensions to totality Levinas writes: “[I] f philosophizing consists in assuring oneself of an absolute origin, the philosopher will have to efface the trace of his own footsteps and une

徹底明白

Byron’s World Of Zest the brakes of a historicist critique. While these two ways of reading are embedded in Byron’s poetry, the possibilities of an invigorated formalism have been considerably extended by critics such as Susan Wolfson and Richard Cronin.. To a certain extent, I also follow Barbara Gelpi’s work on Shelle

恃強(qiáng)凌弱

incision

The Endgame Of Taste: Keats, Sartre, Beckettodernism never wholly let go of the aesthetic legacy of taste, and by 1947 when Beckett was working on the first novel in his trilogy, ., and ., it had already experienced this legacy in the form of an existentialist nausea. Perhaps nowhere do we see this more clearly than in Keats’s late fragmentar