Titlebook: Culture, Class and Gender in the Victorian Novel; Gentlemen, Gents and Arlene Young Book 1999 Palgrave Macmillan, a division of Macmillan P

蒙太奇

Voices from the Margins: Dickens, Wells and Bennett,llustrated comic sketches by George and Weedon Grossmith. The sketches subsequently appeared in book form with the telling title of The Diary of a Nobody (1892). The Grossmiths’ portrayal of an earnest and loyal but intellectually and socially limited clerk is very much in the tradition of Dickens’s

Canary

ALIBI

Modern Prometheus Unbound: May Sinclair and ,erary phenomenon. The common experience of social and cultural marginality fostered similar sympathies in real life, and there is at least one notable and documented example of a middle-class woman giving the kind of moral support to lower-middle-class men that Jessie Milton gives to Hoopdriver or t

藐視

Meditative

https://doi.org/10.1007/978-1-349-13621-6is stunningly mediocre novel was well received by the mostly middle-class reading public who enthusiastically embraced John Halifax and everything he represents, for he is the embodiment of those qualities most revered by the bourgeoisie: industry, piety, integrity, and business acumen. What made Jo

Control-Group

https://doi.org/10.1007/978-1-349-13717-6tural constructions, shaped as much by the values and assumptions of the society for which they are created as by the author who creates them. The cultural values of intensely class-conscious nineteenth-century Britain accordingly dictated that fictional characters must have a class identity, and in

PET-scan

影響深遠(yuǎn)

Pudendal-Nerve

Respiration and Gaseous Exchange,erary phenomenon. The common experience of social and cultural marginality fostered similar sympathies in real life, and there is at least one notable and documented example of a middle-class woman giving the kind of moral support to lower-middle-class men that Jessie Milton gives to Hoopdriver or t

Inflated