Titlebook: Cultural and Literary Representations of the Automobile in French Indochina; A Colonial Roadshow Stéphanie Ponsavady Book 2018 The Editor(s

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Stéphanie PonsavadyContains an array of archival material.Synthesizes literary, cultural, mobility studies, and postcolonial research.Challenges Eurocentric views of the history of the automobile and mythologies of colo

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Introduction: Minding the Gaps of Colonial Automobility,tions by looking at their colonial origins. The introduction demonstrates that these debates revive the myth of the . by recycling colonial discussions over France’s perceived technological superiority and moral duty. The following chapters present stories that critically fill in the gaps in the nar

forebear

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Sharing the Road: Road Users,tomobile clubs and newly formed associations of Vietnamese drivers entered competitive and collaborative relationships, the latter circulating car narratives to cut through the racial divide, threatening socio-racial and symbolic hierarchies on which stood the prestige of the former. In order to fac

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Writing the Road: Journalistic and Literary Passages and Passengers,ntial of automobility to write close-up critiques of the rationalization, contradictions, and excesses of French colonization. In particular, Viollis and Duras’s texts address issues of gendered empowerment in colonial automobility, as do Vietnamese writers such as Tam Lang and V? Trong Phung with t

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Overtaking the Road: Careless Pedestrians,t by social anxiety and they retreated to individual transport, while the Vietnamese turned to buses. As traffic increased, so did road accidents. Road safety campaigns collected critical surveys from all provinces, officially undermining the prestige of .. Discontented Vietnamese reclaimed the road

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Cultural and Literary Representations of the Automobile in French IndochinaA Colonial Roadshow