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Titlebook: Cultural and Literary Dialogues Between Asia and Latin America; Axel Gasquet,Gorica Majstorovic Book 2021 The Editor(s) (if applicable) an

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21#
發(fā)表于 2025-3-25 05:07:02 | 只看該作者
Introduction: Cultural and Literary Interactions Between Asia and Latin America,ast-West Cross-Cultural Relations. More specifically, the idea for this collection originated at the Tenth Conference on East-West Cross-Cultural Relations: ., held at the Faculty of Political Science, the University of Zagreb, Croatia, in May 2018. The volume introduction provides a historical over
22#
發(fā)表于 2025-3-25 10:38:12 | 只看該作者
23#
發(fā)表于 2025-3-25 14:10:24 | 只看該作者
24#
發(fā)表于 2025-3-25 18:54:01 | 只看該作者
Hybrid Identities: Mexico and the Middle East in , by Carlos Martínez Assad and , by Maruan Soto Antt and contends that, in some cases, literary texts promote hybrid identities that challenge the “coloniality of power” that subdues non-whites as “Others” while subtly also interrogating national hegemonic notions of identity that alienate difference. A literary analysis of the texts . (2003) and .
25#
發(fā)表于 2025-3-25 20:53:51 | 只看該作者
Shared Neoliberalisms: The Cultural Affects of the Contemporary Pacificeoliberalism, which allow the unfolding of different considerations regarding the Pacific. In the first scenario, I go to the question of history and the erasure of the Pacific, and discuss the book . by the Mexican writer Julián Herbert. The second scenario is the Latin American connection in the w
26#
發(fā)表于 2025-3-26 03:39:20 | 只看該作者
27#
發(fā)表于 2025-3-26 06:38:41 | 只看該作者
28#
發(fā)表于 2025-3-26 10:32:45 | 只看該作者
Biopolitics, Orientalism, and the Asian Immigrant as Monster in Salazar’s , and Rodríguez’s escribed as a monster with a Mexican novel in which Chinese Mexican characters have actually become vampires. In different ways, Salazar’s . (1991) and Rodríguez’s . (1996) echo, through images of monsters and vampires, the widespread fear of an Asian Other awkwardly integrated into the body of the
29#
發(fā)表于 2025-3-26 13:57:25 | 只看該作者
Militancy and Imperial Masculinity in Sugi Takeo’s “Revenge” and Vicente Amorim’s f Anglophone countries to Japanese immigration due to racism and xenophobia, Japan’s so-called surplus population (.) was encouraged by both governments to emigrate and provide?labor on coffee plantations in Brazil. By the onset of World War II,?189,000?first-generation Japanese immigrants had perma
30#
發(fā)表于 2025-3-26 16:55:57 | 只看該作者
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