Titlebook: Cultural Robotics; First International Jeffrey T.K.V. Koh,Belinda J. Dunstan,Mari Velonak Conference proceedings 2016 Springer Internation

儀式

Robot-Supported Food Experiences a robotic arm taking departure in themes of haute cuisine, “plating”, and the arts in order to show some of the capabilities of robots and to spark their imagination for possible future uses of robots in the kitchen. Through questionnaires and interviews, we gained feedback from ten chefs with resu

Clumsy

發(fā)芽

Did the Scholarly Tradition Survive?s or historical characters of Mesoamerican and South American cultures. We discuss how some of the traits of ancient gods and characters could serve as inspiration for the appearance design of commercial robots, and how these robots could be used in educational environments to attract the attention of students to learn about this history topic.

forthy

Economy, History and Structure of Katsina,sly created by both humans and robots across multiple communication media platforms. In so doing, we argue that robots can indeed be seen as musicians, performers, and even celebrities, and therefore can be taken seriously as producers of culture.

Prosaic

Designing the Appearance of a Telepresence Robot, M4K: A Case Studyh, ideal version design, to manufactured version design. This project is ongoing and at an estimated midway point of the whole development cycle, so it is also treated partly as an experiment. This study will be used to support the next phase of design and technical development.

有其法作用

Towards the Design of Robots Inspired in Ancient Cultures as Educational Toolss or historical characters of Mesoamerican and South American cultures. We discuss how some of the traits of ancient gods and characters could serve as inspiration for the appearance design of commercial robots, and how these robots could be used in educational environments to attract the attention of students to learn about this history topic.

錯(cuò)

Compressorhead: The Robot Band and Its Transmedia Storyworldsly created by both humans and robots across multiple communication media platforms. In so doing, we argue that robots can indeed be seen as musicians, performers, and even celebrities, and therefore can be taken seriously as producers of culture.

Arbitrary

0302-9743 2015, held as part of the 24th International Symposium on Robot and Human Interactive Communication held in Kobe, Japan,?in August/September 2015.?.?A total of 12 full papers and 1 short paper were accepted from a total of 26 initially submitted..The following papers are organized into four categor

EXALT

FLIP