Titlebook: Cultural Policy is Local; Understanding Cultur Victoria Durrer,Abigail Gilmore,David Stevenson Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicab

Expressly

Kathleen A. Feeley,Jennifer FrostHMSO, 1998) and recently reiterated in a “sector deal” for creative industries (Bazalgette, Independent review of the creative industries. Department for Media, Culture and Sport, September 22. ., 2017) accompanying the UK’s Industrial Strategy (BEIS, Industrial strategy: Building a Britain fit for

航海太平洋

易受刺激

So What Can You Do with Serious Games?,how top down characterisations of place are operationalised and negotiated, through the practice of local arts administration—and to what end. The chapter draws on research in cultural policy, public administration and interpretations of place from Irish literature, and cultural and human geography

Antagonist

兵團(tuán)

Toward an Integrative Theory of Morality,ated on an ongoing daily basis. This chapter reflects on a five-year collaboration between the African Centre for Cities and the City of Cape Town’s Arts & Culture Branch, focusing on what it means to make and do policy locally, on an everyday basis, and in the context of fiscal restraints (exacerba

時(shí)間等

Cultural Policy is Local978-3-031-32312-6Series ISSN 2730-924X Series E-ISSN 2730-9258

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Scale, the Local and Cultural Policy’s Geographiesoject by the authors that investigated small arts venues, their neighbourhoods and their audiences. By focusing on the urban, neighbourhood and individual (person/building) scales, and then discussing these relationally as an arts ecology, the case study shows how a scalar approach can bring new ways of understanding cultural policy’s geographies.

PAGAN

anthesis

Kathleen A. Feeley,Jennifer Frostnments to better understand cultural policy in the United States. Future research could add to these findings, by?examining the community engagement strategies applied?and by?studying how these cultural plans connect with the overall planning process of their cities.

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