Titlebook: Cultural Memory and Popular Dance; Dancing to Remember, Clare Parfitt Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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Csángó Space and Time in the Hungarian , Revivale) revival. The táncház folk-dance movement developed in 1970s Hungary as a form of embodied ethnonational resistance to the Communist regime. The rediscovered dance repertoires largely came from the Hungarian minority groups living in territory ceded from Hungary after World War I. The Csángó are o

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Archive and Memory in Cuban Dances: The Performance of Memory and the Dancing Body as sed by the political and ideological use of the dancing body as a vehicle for cultural memory in Cuba. Different types of archives regarding Cuban dances are examined: the “classical” archives preserved in the Havanese libraries and documentation centres produced under Fidel Castro’s government; the

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