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Titlebook: Cultural Memory and Popular Dance; Dancing to Remember, Clare Parfitt Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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發(fā)表于 2025-3-25 04:43:00 | 只看該作者
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發(fā)表于 2025-3-25 14:52:38 | 只看該作者
Filmed, Felt, and False Rhythms: Dance Videos and an Embodying “Home” in Post-migrationand London: Duke University Press, 2000). The embodied knowledge of rhythm and dance, both transmitted within families and gained through a mimetic relationship with filmed images, is a core theme in these public negotiations. This is examined in the analysis of a YouTube-mediated conflict between A
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Cultural Memory and Popular Dance978-3-030-71083-5Series ISSN 2634-6257 Series E-ISSN 2634-6265
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發(fā)表于 2025-3-26 03:46:23 | 只看該作者
https://doi.org/10.1007/978-3-030-71083-5Popular Dance; Cultural Memory; Commemoration; Cultural Identity; Popular Performance; Embodied Memory; Pe
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Clare ParfittFocuses on popular dance, as opposed to theatrical high art dance, and emphasises the geographical diversity that this medium covers.Re-visits some of the most influential theories about how memory an
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Palgrave Macmillan Memory Studieshttp://image.papertrans.cn/d/image/240850.jpg
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Conclusion: The Twilight of an Idol,ntanglement of popular dance practices with both personal and collective dimensions of memory. The chapter then traces the role of popular dancing bodies in the development of ideas about cultural memory from the turn of the twentieth century to today. It argues that approaches to embodied memory ha
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