Titlebook: Cultural Industries and the Environmental Crisis; New Approaches for P Kate Oakley,Mark Banks Book 2020 Springer Nature Switzerland AG 2020

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書目名稱Cultural Industries and the Environmental Crisis讀者反饋




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土坯

Towards a New Paradigm of the Creative City or the Same Devil in Disguise? Culture-led Urban (Re)dee for creative and social enterprises in a heavy polluted area in Amsterdam, this chapter?aims at answering the question why do cultural and creative entrepreneurs engage in sustainability and in particular in a circular economy model.

PACT

Creative Labour, Metabolic Rift and the Crisis of Social Reproduction, of the creative industries. It suggests that what goes on in creative workplaces is conditioned by a web of relations external to those workplaces. These relations support the social reproduction of the workers and firms that perform and engage it, of which cities are a crucible of contestation, conflict and manifold contradictions.

GROG

Muslims as the Internal and External Enemyery least, cultural industries are part of the way we make sense of things and sense making is as vital as ever, but in addition they are huge commercial entities, instruments of public policy across the globe, and, in some cases, major polluters and resource consumers.

irreparable

歡樂東方

歡樂東方

,Interrogating Amazon’s Sustainability Innovation,ing at Amazon’s 2017 shareholders report and a number of additional studies of the CO. emissions associated with e-commerce, I pay particular attention to Amazon’s logistics system. In doing so, this chapter contributes to the perennial debates over the relative ecological benefits of online shopping versus conventional retail shopping.

使厭惡

Book 2020 and socially just cultural and creative industries. Aimed at the nexus of cultural and environmental concerns, the book assesses the ways in?which arts and cultural activities can help develop ideas of the ‘good life’ beyond excessive and unsustainable material consumption, and explores the complex

沖突

Indelible

from the patterns of working, exacerbated by distance from so-called ‘hub’ cities. Third it discusses how concern about the exhaustion of the natural environment is driving change in the cultural and creative industries.