Titlebook: Cultural Globalization and Music; African Artists in T Nadia Kiwan,Ulrike Hanna Meinhof Book 2011 Palgrave Macmillan, a division of Macmill

要素

global cities and cultural globalization. As such, the first part of the chapter will focus on these theoretical considerations and then move onto the main empirical discussion where we will first explore the more predictable role of Paris as a hub or . for North African and Malagasy migrants and t

JIBE

bed in multiple locations beyond the highly visible concentration of diasporic musicians in capital cities such as Paris or London (see Chapter 3). Here, then, we explore two issues: firstly, the phenomenon of multi-sited individuals and groups who are simultaneously located in a capital and provinc

改變立場

transnational cultural networks. To what extent do institutions such as the British Council, the Institut fran?ais, the Goethe-Institut and those associated with them in the South such as the Cercle germanomalgache/Goethe Cultural Centre, the Alliance fran?aise, the Centre culturel Albert Camus or

完成

https://doi.org/10.1057/9780312299545socially engaged Malagasy and North African musicians. The civil society organizations in question are European-based NGOs and other more loosely structured associations and their transnational offshoots or links, whom we’ve encountered as a result of our work with individual musicians. Our own awar

perimenopause

平常

Translocal Networking in Madagascar and Moroccoorigin. More specifically, in this chapter we begin with the artists from the provinces, who live in or come from some of the rural regions and provincial towns of Madagascar and Morocco, and in Chapter 2 we add those in the countries’ metropolitan cities.

方便

Metropolitan Hubs in the Southh their metropolitan centres. In this chapter we will turn to the metropolitan cities themselves so as to view their role as central hubs, within their countries and transnationally. The focus here will be on some of the influential artists who live in Antananarivo or Casablanca, and on the people,

Axillary

Capital Cities as Global Hubs global cities and cultural globalization. As such, the first part of the chapter will focus on these theoretical considerations and then move onto the main empirical discussion where we will first explore the more predictable role of Paris as a hub or . for North African and Malagasy migrants and t

冷峻

Beyond the Capitals: Translocality/Transnationality in Europe and the Southbed in multiple locations beyond the highly visible concentration of diasporic musicians in capital cities such as Paris or London (see Chapter 3). Here, then, we explore two issues: firstly, the phenomenon of multi-sited individuals and groups who are simultaneously located in a capital and provinc

埋葬

Mutual Supports: North <> South transnational cultural networks. To what extent do institutions such as the British Council, the Institut fran?ais, the Goethe-Institut and those associated with them in the South such as the Cercle germanomalgache/Goethe Cultural Centre, the Alliance fran?aise, the Centre culturel Albert Camus or