Titlebook: Cultural Forms and Practices in Northeast India; Kailash C. Baral Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusi

GUILE

When (and Where) Ritual is not Romance: Liminality, Gender and Storytelling Among the Khasis,ity in contemporary storytelling among the Khasis is the gendered experience. Further, the paper shows that by subverting both colonial constructions of the indigene and community law, the gendered/liminal experience calls for a re-assessment of Khasi identity.

中國(guó)紀(jì)念碑

革新

Introduction: Figures at the Windowe in a digitised and globalised world. The context of this change is the subject of discussion in this paper. The paper examines the changing nature of the festival in the light of the new socio-economic, cultural, and political conditions and the ways it has influenced the greater community life.

Endemic

古代

Introduction: Figures at the Windowhall especially explore the nuances that are located towards the dynamics of Mizo identity and culture which are at once increasingly central and yet complex, especially in terms of the pre- and postcolonial parameters.

刺耳

conscribe

OFF

From Sacred to Popular: Demystifying Ojha-Nach of Barak Valley,course of this article, I would initiate a brief discussion on the ojanach folk performance form of Barak valley by highlighting the intricate relationship that this art form shares with the cultural beliefs of the Kaivarta community.

劇毒

Culture and Commodification: , from Meadows to the Rostrum,e in a digitised and globalised world. The context of this change is the subject of discussion in this paper. The paper examines the changing nature of the festival in the light of the new socio-economic, cultural, and political conditions and the ways it has influenced the greater community life.

Extemporize