Titlebook: Cultural Economics And Cultural Policies; Alan Peacock,Ilde Rizzo Book 1994 Springer Science+Business Media Dordrecht 1994 cultural econom

道學(xué)氣

The Design and Operation of Public Funding of the Arts: An Economist’s ViewThe economist perceives his/her role in appraising state support for culture something like the following:

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978-94-010-4499-8Springer Science+Business Media Dordrecht 1994

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Debrief

Employing ‘Second Generation’ Matrices tend to overestimate the economic importance of the arts. They do so by considering as art some goods and services that have nothing to do with it, like video recorders and TV sets. It is as if the construction of motorways was considered as a component of the car industry. Another frequent way of

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Issam Lakouam,Imad Hafidi,Mourad Nachaouif cultural activities to be financed, the justification for public intervention and its evaluation represent very controversial issues already analysed by other contributors to this book. However the arts are also financed by individual donations and, in this paper, the focus is on this voluntary ac

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Studies in Computational Intelligenceor leisure time and a negative preference or disutility for time spent working. The standard model shows leisure (the obverse of work time) and income as normal goods with a convex preference system. Increased wages bring forth increases in work time in pursuit of higher income, though beyond a cert

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Advances in Machine Learning IIficiency argument concerning the effect of copyright on the efficiency with which such goods are produced and utilised. Section II will focus on the justice argument, and section III the efficiency argument. Some of the policy issues that arise from the previous analysis will be discussed in section

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