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Titlebook: Cultural Dance in Australia; Essays on performanc Jeanette Mollenhauer Book 2022 The Editor(s) (if applicable) and The Author(s), under exc

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書目名稱Cultural Dance in Australia
副標(biāo)題Essays on performanc
編輯Jeanette Mollenhauer
視頻videohttp://file.papertrans.cn/241/240771/240771.mp4
概述Addresses the position of diasporic genres within the Australian dancescape.Appraises Australian dance history and practice using a decolonized lens.Advocates for greater recognition of culturally spe
圖書封面Titlebook: Cultural Dance in Australia; Essays on performanc Jeanette Mollenhauer Book 2022 The Editor(s) (if applicable) and The Author(s), under exc
描述.This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. .Cultural Dance in Australia. makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia.?.Thisbook?.will be of interest to scholars of dance, performance studies, migration studies and transnationalism..
出版日期Book 2022
關(guān)鍵詞Dance; Immigrant; Australia; Multicultural; Performance; Decolonization
版次1
doihttps://doi.org/10.1007/978-981-19-5900-4
isbn_softcover978-981-19-5902-8
isbn_ebook978-981-19-5900-4
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
The information of publication is updating

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Interpersonal Networks in the ‘Ruling Triad’ fluidity and externally driven malleability, and diaspora spaces represent the nexus of the past (memories), the present (a new geographical location) and the future (networks and identities). The complementary paradigm of transnationalism represents the simultaneous belonging to former and current
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Interpersonal Networks in the ‘Ruling Triad’ dance in Australia, including Orientalism, modernity and individualism, that have forged this division. The chapter expounds the history and implications of multiculturalism as formulated in Australian politics before presenting a brief history of dance both globally and in Australia. A description
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are described, including the ways in which public performances reveal the imbrication of multiple aspects of cultural identity. Audiences can both influence and be influenced by cultural dance performances and this granulated relationship is examined. The performing arts provide opportunities for in
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