Titlebook: Cultural Change in Post-Migrant Societies; Re-Imagining Communi Wiebke Sievers Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Auth

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玩笑

Culture as Deconstruction and Participation? Reflections from a field…in Transitionnd diversity and 2) practices of resistance and social inclusion facilitating intercultural dialogue. Our reflection focuses on a double level of analysis. From the methodological point of view, it investigates how, in the project “Atlas of Transitions”, the approach of action research sustains the

calamity

Youth in the City: Fostering Transcultural Leadership for Social Changenguistic, cultural and social change, there is a tendency to rigidly demarcate and separate the crucial roles played by artists, researchers, educators, students and activists. Furthermore, little consideration is usually given to the development of transcultural and multilingual youth’s ability to

Pigeon

Book‘‘‘‘‘‘‘‘ 2024igration societies. It proposes theoretical and methodological approaches that highlight how ideas of change expressed in artistic and cultural practices spread and lead to wider cultural change. The book also looks at the slow processes of change in large cultural institutions that emerged at a tim

dysphagia

goodwill

Dilemmas of Political Participationand seem to be all-encompassing and happening in various cultural institutions in diverse forms, we hardly notice any change in institutional structures. The chapter aims to identify reasons for this discrepancy based on two case studies of qualitative research in the middle-sized town of Sindelfingen and in Hamburg.

虛構(gòu)的東西

ow that, according to these racialised artists, the time has come to “change the narrative” in Italian audio-visual productions. Finally, we offer some concluding remarks on how the struggle of racialised artists is hampered by structural conditions and reveal what collective strategies they use to cope with these material difficulties.

Highbrow

Cultural Change in Post-Migrant Societies: Re-imagining Communities Through Arts and Cultural Activ volume. Subsequently, I place it in the wider debate on social and cultural change in migration and cultural studies. I then explain in more detail where and how this volume moves beyond the state-of-the-art. Finally, I discuss our results in the light of recent changes in migration studies.

初學(xué)者

Myelin