Titlebook: Cult Film Stardom; Offbeat Attractions Kate Egan,Sarah Thomas Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

CULT

書目名稱Cult Film Stardom影響因子(影響力)




書目名稱Cult Film Stardom影響因子(影響力)學(xué)科排名




書目名稱Cult Film Stardom網(wǎng)絡(luò)公開度




書目名稱Cult Film Stardom網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Cult Film Stardom被引頻次




書目名稱Cult Film Stardom被引頻次學(xué)科排名




書目名稱Cult Film Stardom年度引用




書目名稱Cult Film Stardom年度引用學(xué)科排名




書目名稱Cult Film Stardom讀者反饋




書目名稱Cult Film Stardom讀者反饋學(xué)科排名

柳樹；枯黃

Prisoner of Cool: Chlo? Sevigny, Alternative Stardom and Image Managementwith independent cinema ‘a(chǎn)re not as widely known as blockbuster stars, then distinctions need to be drawn between “popular” stars and “cult” stars’ (1998: 199). While Sevigny has appeared in a few Hollywood movies, the majority of her acting appearances have been within independent films, in both lo

大笑

Defraud

泥瓦匠

Geyser

Damaged Beauty: Montgomery Clift, Tragedy and the Redefinition of a Star Imageone of a number of cinematic instances ‘where film exploits the decay of celebrity players’, making use of the physical evidence of a star’s biography and deterioration in its depiction of character and narrative (Naremore 1988: 20). Clift’s damaged appearance in his post-crash films becomes a consi

Geyser

Forever ,: Sylvia Kristel and Soft-Core Cult Stardomriomphe cinema on the Champ-Elysées, one of the most prestigious avenues in Paris, where it would remain for thirteen years with English subtitles and an enormous billboard featuring a provocative Kristel sitting topless in a cane chair staring at the camera. . was such a social phenomenon at the ti

手術(shù)刀

Well-Being and Employee Engagementlities of those ‘stars’ who appear in such texts (whether, as J. P. Telotte argues (1991), they are conventionally considered as mainstream or marginal films). But the term is also employed away from canonical cult texts to describe other atypical performers who nevertheless have a presence within m

失望昨天

invade